I don’t get Brooklyn
My boss thought the catnip
on my desk was pot. Go figure!
The reason why I like you
may stem from unresolved
issues from jr. high school
Atari was my personal hell.
See where this behavior gets you?
Newark has the feeling of being
affixed, but not New York City.
Prudential Building is mostly
underrated in New Jersey.
Teens who hang out on street
corners become bus drivers.
Every stale breeze seemed
to whisper “Louise”
I have this recurrent dream
of a starry carousel creaking
After days of retrofitted murmurs
soft hypnotic laughter
approaching fresh fantasies
a licked window.
by Ryan Nowlin
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Blog originally designed for the cruelest month, when I scratch out a poem a day in order to stay connected to Robin Reagler. Now also a repository for my matters poetry. (Ab Chaos Poesis is a riff on Ab Chaos Lex, which is Joyce's joke on the catholic motto, ab chaos ordo.) (No relation to the metal band which is top fifty results of a 2020 google search to check the latin.)
08 April 2013
Welcoming another guest blogger: Ryan Nowlin (lately of the Poetry Project). He will be joining me sometimes henceforth.
05 April 2013
Just under the 5 April wire: The really great thing is to go bananas
The really great thing is to go bananas
and get put in the attic for one of your transgressions--
a broken nail, say, or murder--and then begin the
tremendous game of pretending you're not
in the attic, even get a whole bunch of people
to strut by, make campy entrances, take sharp
exits, play like they're on the ground, play
you're also on the dirt, everyone on terra
firma, we're all test-touching it, tasting
sweet thick loamy in spring
when it's interrupted by roots
spreading worms digging life
and (hey) you like to write about it even
though you don't know that metal smell,
haven't whiffed it in years (ever?) but perched
(above) you keep on writing about it. Aw, poetry!
and get put in the attic for one of your transgressions--
a broken nail, say, or murder--and then begin the
tremendous game of pretending you're not
in the attic, even get a whole bunch of people
to strut by, make campy entrances, take sharp
exits, play like they're on the ground, play
you're also on the dirt, everyone on terra
firma, we're all test-touching it, tasting
sweet thick loamy in spring
when it's interrupted by roots
spreading worms digging life
and (hey) you like to write about it even
though you don't know that metal smell,
haven't whiffed it in years (ever?) but perched
(above) you keep on writing about it. Aw, poetry!
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